Another post about two kinds of work, art and kids.
Yesterday was my weekly gig with Alexandra and Arthur, with whom i play and speak English for two and a half hours. Alexandra and i are like two peas in a pod, and we get along famously even when we don't understand each other. Although, when i tell her i don't understand her, she often says with frustration, "Jopé!" (DARN it) with LOTS of emphasis on the "h" sounding j. She is charming. Unfortunately, it is almost impossible for me to understand her brother, with his 3-year-old's version of Spanish, but Alex "translates" (from Spanish to Spanish). Arthur is usually with his mom or at a playgroup for at least part of the time, so often it is just me with Alex, much to my relief. Arthur is a volatile child who likes to be at the center of attention all the time, and when he's not he can react quite violently, throwing things with wild abandon and biting. Luckily i have started to figure out how to handle the two of them together. Yesterday the solution was two harmonicas. I will miss these kiddos a lot when i go.
Today i finished my project for the Expressa't exhibition. This is an annual exhibition that Metafora participates in, in conjunction with the Ambit Dona resource centre, for World Aids Day. The title of the exhibition means express yourself, in Catalan. All of the works are a response to or a commentary on HIV/AIDS, and i'm really excited to be a part of this. Here's the piece i'm submitting, minus the installation component (yes, i, the painting snob, have made an installation piece):
And here's what i wrote about it:
I chose to focus on joy. Though my project began with a very important element of collective oppression, as my paper people came to life, they were undeniably dancing. So i decided to liberate them instead and let them wind their way freely through the space. Though i also experimented with a mulitcolored set of figures, i chose to make all the silhouettes red, to more intentionally represent the HIV/AIDS community. As i finished the piece, i worked more deliberately to let the figures dance, and i based many of the images on forms from dance around the world, as well as trying to capture casual movements that the average person makes during the day. Some of the figures are very sensitive and emotionally expressive, others are more still, and each one genuinely seems to have an individual personality! The message has become one of hope, a celebration of the resilience of humanity in the face of whatever we may face. Suspended in the air on a lightweight thread, they are always slightly moving, and always connected to each other.
My plan is to install this piece in a spiral or circular manner. I'm quite excited about it, people really respond to them, though i wonder if the response will be different in a gallery setting.
And here's a painting i finished today:
The photo doesn't represent the color very well, it's represented better in this slightly out of focus detail.
Tomorrow i am hoping to go to the nearby community to work in the garden, and then i have my second and likely final acupuncture appointment, which i am very excited about. Our next round of projects is due next week, so i need to get cracking on that, and we will be installing and opening Expressa't. All my "to-do" stuff wraps up next Friday, which is good timing, because that's the night that Ethan arrives!
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1 comment:
i still think the painting looks much better in the chair and i think it is an installation piece with the chair.
i can totally see the kid translating from Spanish to Spanish.
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